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Around the World (Fourth Dimonsion, 2002) Coming straight out of Southern Florida, the band Fourth Dimension has a sound reflective of their multi-cultural environment. They sing in both Spanish and English and throw in musical styles ranging from roots reggae, lovers rock, ska and dancehall to soca, rock 'n roll, and hip-hop. This is the true definition of "world music." As a reggae fan, though, it took me a while to get a get a handle of the group's sound. Around the World starts with the fairly straightforward roots tracks "Kings Highway" and "Bongo Tamer" (the later incorporating some rock guitar riffs), then "Dura" switches to dancehall mode, followed by the rock and rap sound of "Fourth Dimension" and the kinetic soca of the title cut. Only by the sixth track, the uber-catchy "Cha Cha," does the album seem to settle into the reggae sound that represents most of its content. Following it are a funky, Eddy Grant-like cover of Genesis's "Land of Confusion," the romantic lovers tune "Real Love," the regal dub "4th Dubmension," and the organ-propelled roots number "Dime." Once I got a firm grasp of Fourth Dimension's sound and the fact that they are primarily a reggae act, I felt more free to enjoy their buoyant sound. Despite having only four members, they have a remarkably big, full-band sound that can get any party started. "Kings Highway" in particular is a wonderful roots anthem, and while diehard reggae fans may not get into the other-genre elements on about four of the tracks, it doesn't really detract from the strong reggae cuts. And if you do like some spice in your reggae, Fourth Dimension's got it. You can check them out at 4thdimension.org. |
| Track Listing 1. Kings Highway 2. Bongo Tamer 3. Dura 4. Fourth Dimension 5. Around the World 6. Cha Cha 7. Land of Confusion 8. Real Love 9. 4th Dubmension 10. Dime 11. Front Line 12. Dancing Time |

Invazion (Hypercube, 2008)
It took a few years, but South Florida's Fourth Dimension finally returns with a follow-up to their debut Around the World. Compared to that eclectic album, Invazion is more reggae-focused, thanks in part to the production of the legendary Karl Pitterson, who worked on Bob Marley's Exodus and on Steel Pulse's first three albums. The Steel Pulse connection is particularly appropriate, because that's probably the most obvious comparison. Like the renowned UK act, Fourth Dimension features a likeable, buoyant live-band sound with catchy hooks and layered harmonies. Also like Steel Pulse, there's a pop edge to Invazion, with bubbly melodies and electric guitar riffs, making it accessible without becoming saccharine sweet. Fourth Dimension never really falls into the trap of becoming a Steel Pulse clone, however. They establish their own sound with dancehall-flavored tracks like "Showdown" and "Everything Dun" and Spanish-language tunes "Muertos en Vida" and "Levanta," which fans of Gondwana should enjoy. All in all, there's plenty to like about Invazion for both diehard reggae fans and newbies. Standouts include the laid-back title track, the righteous "Highest Praise," and the luscious ganja anthem "Yes." Hear samples at 4thdimension.org.
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| Track Listing 1. Invazion 2. Too Little Too Late 3. Dis Ya Music 4. Yes 5. Live Up 6. Something Sure 7. Showdown 8. Frequency 9. Muertos en Vida 10. What a Situation 11. When the Pressure Drop 12. Highest Praise 13. No Other Woman 14. Levanta 15. Everything Dun |
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